Kingdom of Gods and Demons - Mezopotamia
Exhibition is open up till 2 February 2025
The exhibition in the Ionic Hall of the Museum of Fine Arts is the first in Hungary dedicated to ancient Mesopotamia. One of the outstanding strengths of our exhibition is that it brings together more than 150 objects loaned by seven prominent European collections, offering unparalleled insight into the world of this long-lost culture.
The Budapest exhibition concentrates on the Mesopotamian world in the first half of the first millennium BC, where the earliest empires in history emerged: the Neo-Assyrian and the Neo-Babylonian Empires. The core exhibits were unearthed during the Mesopotamian excavations carried out in the nineteenth and early twentieth centuries in the cities of Assur, Babylon, Dur-Sharrukin and Kalhu (Nimrud): the aesthetically delightful, crowd-pleasing reliefs from Assyrian palaces, and the well-known, brilliant azure-coloured glazed-brick panels depicting the snake-dragon and lion that adorned the Ishtar Gate and Processional Way in Babylon. The presentation also includes amulets and small bronze, stone and terracotta statues depicting figures from the demonic world and works portraying Assyrian and Babylonian kings. Besides the physical and visual artefacts, visitors can also acquaint themselves with sources showing the Akkadian cuneiform language, among them a tablet from the Babylonian creation myth (Enuma Elish) and historical texts about Assyrian and Babylonian kings. We will be exploring the topic of the Tower of Babel through European paintings and works of twentieth-century Hungarian art held in Hungarian collections.
Curators of the exhibition: Dr. Zoltán Niederreiter (Head of the MTA-ELTE Lendület Assyrian and Babylonian God World research group) and Dr. Erika Roboz (Museum of Fine Arts, Budapest).
The exhibition was realized with the collaboration of the MTA – ELTE Momentum Assyrian and Babylonian Divine World Research Group and with the exceptional collaboration of the Bibliothèque nationale de France.